April 2007. More than 20,000 attendees, 215 films, 119 filmmakers, 44 actors and documentary subjects, 15 panelists, 32 jurors, 44 represented countries, and eight world film premieres. In Nashville. That's right.
Every April, filmmakers and film enthusiasts from across the world converge at the Regal Cinemas Green Hills 16 theater for middle Tennessee's own Nashville Film Festival (NaFF). And while 2007 proved to be perhaps the most successful year in festival history yet, this year's festival, beginning April 17 and running through April 24, is shaping up to be even better, with a slate of exciting film screenings, question and answer sessions with filmmakers, panel discussions, events and parties.
The Nashville Film Festival has a rich and impressive history beginning in 1969, when the festival made its debut as the Sinking Creek Film Festival. In the 39 years since, the festival has emerged as not only the longest-running film festival in the South, but the third-longest running in the country. It has established a highly respected reputation along the way for presenting wide variety of independent films, along with related panels and events.
Those related events and panels are perhaps what make the Nashville Film Festival so special. Rather than simply screening the films, the festival consistently strives to give attendees a full, well-rounded, immersion in the subject matter of the films, often reaching out to various community groups to create special events that further enhance the filmgoing experience, turning the festival into a truly, community inclusive, interactive happening.
“The heart of the experience is the film itself, but then we look for partnerships with other arts and business organizations as well as community groups to create something special,” explains Festival Executive Director Sallie Mayne. “The festival attendees are not merely coming to just watch a film, but to experience and participate in an exciting event.”
For instance, at last year's festival, the film The Last Bandoneon, a documentary chronicling the main instrument utilized in Tango music, was accompanied by a Tango & A Movie reception featuring an appearance by the filmmaker Alejandro Saderman as well as a live tango presentation presented in partnership with Tango Nashville.
This year proves to be no different, with exciting experiences accompanying a diverse slate of films that have been carefully selected from more than 1,600 entries by more than 100,000 filmmakers.
According to Brian Gordon, artistic director of the festival, the festival’s program has been selected and organized based on a few key ideas.
“It’s purpose is to create a diverse selection encompassing everything from purely entertaining films to more challenging films, while consistently looking for ways that the festival can reach out to different communities in the area through selected films,” Gordan explains.